She has played some of Jamaica’s most noted characters, such as “Dessa,” “Davia “and fan favourite “Melcita”. One of our most talented actresses’ Shashana Lamont, shares a peak into “life in theatre”.

How long have you been involved Theatre?

“I’ve been deeply involved in the world of theatre for over a decade. “Throughout my journey, I’ve had the privilege of embodying a diverse range of characters on stage, each with their own unique stories and complexities.”

Why Theatre Arts?

“Theatre arts resonate deeply with me as they provide a dynamic and immersive platform for storytelling.”

“Unlike other forms of entertainment, theatre offers a direct and intimate connection between performers and audience members, fostering empathy, [and] understanding, the versatile actress said adding that its “a shared experience that transcends the boundaries of time and space.“

She continued, “As a creative individual, I am drawn to the collaborative nature of theatre and the endless possibilities it presents for exploration, expression, and personal growth.”

What are some notable characters you’ve played?

“Some notable roles I’ve inhabited include Elizabeth Sight, a visually impaired girl from the countryside; Dessa Strokes, a spirited woman hailing from the rural heartlands; Davia, a 16-year-old navigating the tumultuous waters of adolescence; Melcita, a character-rich with history and handed down to me; Danielle, a young woman from the upper echelons of society; and most recently, Chlorine Johnson, a precocious and highly educated 17-year-old.”

Differences between Play and Film:

“Plays unfold on stage before a live audience, creating a visceral and immediate connection between performers and spectators. In contrast, films are meticulously crafted through recording and editing techniques before being showcased to audiences”.

“Plays often rely on minimalistic sets and emphasise the power of dialogue and live performances, whereas films leverage cinematic tools such as camera angles, editing, and special effects to convey narrative depth and visual storytelling.

Character Preparation:

“Preparing for a character role is a multifaceted and deeply immersive process. It involves delving into the character’s psyche, motivations, and relationships to fully understand their essence.”

“This journey of exploration may encompass extensive research, discussions with the director, and collaborative rehearsals with fellow cast members. Through meticulous analysis and experimentation, I strive to breathe life into each character, infusing them with authenticity, depth, and emotional resonance.“

Hardest Character Played:

“One of the most challenging characters I’ve had the privilege of portraying was Melcita in the stage play “The Student.” Taking over a role previously beloved by audiences presented a unique set of pressures and expectations. To excel in the role, I embarked on a profound emotional journey, delving into the character’s complexities and vulnerabilities.

“Balancing the legacy of the character with my own interpretation required a delicate balance of reverence and innovation, pushing me to stretch my artistic boundaries and delve deeper into the intricacies of human experience”.

Most Memorable Play:

One production that left an indelible mark on me was “Bloodline,” where I inhabited the character of Elizabeth Sight. It was not only my first foray into performance but also a transformative journey of self-discovery and artistic expression.”

Length of Play Run:

The duration of a play’s run is heavily dependent on a myriad of factors, including venue availability, production budget, and audience demand which could span from weeks to years she explained.

Impact of Audience Response:

“Audience response plays a pivotal role in shaping the dynamics of a theatrical performance. The immediate feedback and energy exchanged between performers and spectators create a symbiotic relationship that fuels the momentum of the production.”

Breaking Character:

“Yes, I’ve experienced moments of breaking character during a scene. Whether prompted by unexpected circumstances or spontaneous interactions with fellow actors, such instances require a quick recalibration of focus and composure.”

Employing techniques such as deep breathing, recentering on the character’s objectives, and relying on the support of scene partners helps in swiftly regaining the performance’s momentum and preserving the integrity of the scene.

Does the Theatre Arts get enough credit or support?

In Jamaica, the theatre arts industry grapples with the absence of a unified body or union to advocate for its interests and elevate its cultural significance. Despite boasting a rich history and wielding considerable cultural leverage, theatre companies often contend with dwindling audiences and a scarcity of available venues, exacerbated by the challenges wrought by the COVID-19 pandemic.”

The organisation of “workshops, educational programmes, and collaborative partnerships with schools and community centres” are among the suggested initiatives that can help to foster a greater appreciation for the craft locally, Lamont expressed.

Lamont’s current production is a compelling drama on TvJ called “The Johnsons,” which also stars Owen “Blakka Ellis,” Sabrina Thomas and Michael “String Bean” Nicholson among its cast.